Selected Recent Publications / Contributions to Knowledge
Nweke, F.E. & O. Olokodana-James (2024). The Nigerian Film Industry And Culture Reloca-
Tion: A Translation of The Modes and Forms in Music and Dance Culture. Ghana Journal of Religion and Theology. University of Ghana. https://dx.doi.org/10.4314/gjrt.v14i2.
Olokodana-James, O. & F.E. Nweke (in press): Breaking the Loud Silence of Oppression through Theatrical Music and Dance Activism in Nigeria. The Routledge Book Series on Music and Politics. Chapter 9. Dublin City University, Ireland.
Nweke, F.E. & O. Olokodana-James (in press). Music and Dance as Election Campaign Strategies in Nigerian Elections. The edited volume Performing Politics: Music, Dance and Elections in Africa. The Routledge Book Series on Music and Politics. Chapter 12. Dublin City University, Ireland.
Ozaki, Y., Tierney, A., Pfordresher, P. Q., McBride, J., Benetos, E., Proutskouva, P., Chiba, G., Liu, F., Jacoby, N., Purdy, S. C., Opondo, P., Fitch, W. T., Rocamora, M., Thorne, R., Nweke, F., Sadaphal, D., Sadaphal, P., Hadavi, S., Fujii, S., Choo, S., Naruse, M., Ehara, U., Sy, L., Parselelo, M. L., Anglada-Tort, M., Hansen, N. Chr., Haiduk, F., Færøvik, U., Magalhães, V., Krzyżanowski, W., Shcherbakova, O., Hereld, D., Barbosa, B. S., Varella M. A. C., van Tongeren, M., Dessiatnitchenko, P., Zar Zar, S., El Kahla, I., Muslu, O., Troy, J., Lomsadze, T., Kurdova, D., Tsope, C., Fredriksson, D., Arabadjiev, A., Sarbah, J. P., Arhine, A., Ó Meachair, T., Silva-Zurita, J., Soto-Silva, I., Millalonco, N. E. M., Ambrazevičius, R., Loui, P., Ravignani, A., Jadoul, Y., Larrouy-Maestri, P., Bruder, C., Teyxokawa, T. P., Kuikuro, K., Natsitsabui, R., Sagarzazu, N. B., Raviv, L., Zeng, M., Varnosfaderani, S. D., Gómez-Cañón, J. S., Kolff, K., Vanden Bosch der Nederlanden, C., Chhatwal, M., David R. M., I Putu Gede Setiawan, Lekakul, G., Borsan, V. N., Nguqu, N., & Savage, P. E. (2024). “Globally, songs and instrumental melodies are slower, higher, and use more stable pitches than speech: A Registered Report”. Science Advances. https://www.science.org/doi/10.1126/sciadv.adm9797.
Savage, P. E., Jacoby, N., Margulis, E. H., Daikoku, H., Anglada-Tort, M., Castelo-Branco, S. E.-S., Nweke, F. E., Fujii, S., Hegde, S., Chuan-Peng, H., Jabbour, J., Lew-Williams, C., Mangalagiu, D., McNamara, R., Müllensiefen, D., Opondo, P., Patel, A., & Schippers, H. (2023). In Building sustainable global collaborative networks: Recommendations from music studies and the social sciences. In E. H. Margulis, D. Loughridge, & P. Loui (Eds.), “The science-music borderlands: Reckoning with the past, imagining the future”. (Chapter 18). MIT Press. 347-365.
Collaborations / Networks
Prof. Consuelo Giglio- Conservatorio Alessandro Scarlatti di Palermo-Italy.
Franziska Degé and Franziska Weigert (Max-Planck-Institute for Empirical Aesthetics, Frankfurt am Main, Germany). Jennifer Bugos & Manal Lamouine -School of Music University of South Florida, USA.
Dr. Patrick Savage: Senior Research Fellow, School of Psychology, University of Auckland, New Zealand.
Prof. Costa-Giomo Eugene: Associate Director: School of Music- Ohio State University, Ohio-Columbus, USA.
Prof. Ed Large: Department of Psychology-University of Connecticut, Storr, USA
